fe58290728ded4057cd73a6c00548491c7012d49
10 Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
 karti
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fe58290728 | California gets roads, traffic, and a car to follow | ||
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karti
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37d5320664 |
Both doors get a share card, and they are not the same card
A link to tera.lumbridgecorp.com or office.lumbridgecorp.com unfurled as a bare
blue URL. No picture, no sentence, and a title — "Lumbridge Simulate — San
Francisco" — that was wrong at one of the two doors and stale at the other.
There were no `og:` or `twitter:` tags in the document at all. For a project
whose entire pitch is that you should look at it, that is the most expensive
missing markup in the repo.
Both cards are screenshots of the running app, not drawings of it, and that is
the load-bearing decision rather than a shortcut. `scripts/brand-assets/` builds
them in two passes: shoot the city and the office out of `dist/`, then render
`og.html` over those shots at exactly 1200x630. The thing is worth looking at,
and a drawing of it goes stale in silence — which is not hypothetical. The card
currently live on lumbridgecorp.com is a viewport screenshot of a marketing page
that has since been rewritten, so that preview advertises a positioning the site
no longer uses, and it has been doing so for a month with nobody noticing. A
card regenerated from `dist/` by one command is a card that can be kept true by
running the command.
The clock is shifted to midday for the capture, because the sun is real —
`observe()` computes it from `new Date()` — and a card regenerated at two in the
morning is an honest photograph of a black rectangle. Shifted rather than
frozen: everything else runs off `requestAnimationFrame`, and a stopped clock
stalls the frame loop the screenshot is waiting on.
Every string on the cards is the project's own. The headlines are what
`README.md` already says each half is; "Clone it and it works" is CONTRACT.md
§0's acceptance test in the words `main.ts` uses for it; the licence in the
corner is the one in the repo root. A share card is the most-read and least
reviewed sentence a project has, which is exactly why it should not be where new
claims get invented.
The harder half was that the two doors are one bundle. The app sorts out which
door it is by reading its own hostname; a crawler cannot, because it reads the
HTML and nothing else — so one `index.html` means both doors unfurl as the same
place, and being a different place is the office door's whole reason to exist. A
second hand-written shell is what the Caddy config already argues against for the
static root ("sharing the root rather than copying it means a deploy cannot leave
the two doors on different builds"), and two 900-line files each carrying the
inline stylesheet would drift on the first CSS change with nothing to notice.
So the build emits both. Everything outside the `ogc:` markers is copied byte for
byte — verified: `office.html` and `index.html` are identical below `</head>` and
point at the same bundle hash — and only the head block differs. A change to the
interface reaches both doors by construction. It runs in `writeBundle` rather
than `transformIndexHtml` because it needs the finished document, after Vite has
rewritten the asset URLs, and it errors rather than no-oping if the markers go
missing: a card that is quietly the wrong one is the failure the plugin exists to
prevent.
`deploy/Caddyfile.snippet` documents the one line that turns it on — the office
door's `try_files` fallback pointing at `/office.html` off the same shared root.
A deployment that skips it is not broken; the office door keeps working and
unfurls with the city's card, which is what it did before.
Not deployed. The live Caddyfile still falls back to /index.html for the office
host, so this needs that one-line change on cloud-2 before office.
lumbridgecorp.com unfurls as the office.
Both shells boot clean in Chrome with zero console errors, 31 client tests and
the no-binary gate still pass — `public/` is exempt from it, which is where the
two PNGs live.
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karti
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270cddda31 |
The phone can reach the plan, read the disclosure, and see the room
Three things, all on the door people actually open. office.lumbridgecorp.com is a link you send somebody, and a link somebody is sent is opened on a phone. **The plan had no way in.** The stylesheet builds it a whole bottom-sheet layout below 600px — full width above the rail, 38dvh tall, hover-only text dropped — and the only thing that could open it was the `M` key, which on a phone is not a control that is hard to find but a control that does not exist. The comment above that layout says "it is still behind `M`, so it costs nothing until it is asked for", and on a phone it could not be asked for. So there is a button, in the one cluster a thumb reaches, at every width rather than only the narrow ones — a control only a keyboard can reach is a control some people do not have, and that is as true at 1920 as at 390. It is glyph-only, because the `M` hint beside it already carries the word and two controls labelled "plan" in one bar is one too many, and it carries `aria-pressed` for the same reason the chapter buttons do: a toggle that does not look like its state is a button that appears to do nothing on every second press. **The disclosure was behind a hamburger.** "Sample occupancy — these people are invented" lived on `#office-badge` inside `#panel`, and on a phone `#panel` is a sheet that starts closed. The one sentence standing between twenty-five invented people at real desks and a screenshot presented as a staff list was hidden, on the device most likely to take the screenshot. It moves to `#source`, which is where this page already says what on screen is and is not real, is fixed and always drawn, and which the phone stylesheet itself calls "the one caption that is never allowed to be dropped for space". It replaces the city's liveness line while you are inside rather than joining it, because the markers, the sky and the traffic are facts about a board behind you — and "live data" printed over invented colleagues is the exact species of lie that wording was rewritten to stop telling. It also needed a rule of its own: `.source` on a phone is one nowrap ellipsised line, which rendered this as "sample occupancy · these people …", a truncation that removes the only word that mattered. A disclosure cut off mid-clause is worse than none, because it looks like a caption somebody bothered to write and nobody goes looking for the rest. **The room did not fit.** `camera.fov` is vertical, so visible width is `distance * tan(fov/2) * aspect`, and a phone held upright has an aspect near 0.5 against the 16:9 those viewpoints were framed by eye against. At the same distance that is a third of the width: the arrival shot put a thirty-four-metre floor plate off the corner of the screen under a frame full of empty sky. The pack was not wrong and the renderer was not wrong — the number meant something else on that screen. `poseFor` now preserves the width the author framed, which is the thing they were choosing; "everything in this building is somewhere in this frame" is a statement about width, and the extra height a tall screen throws in costs nothing. It only ever pushes back, never pulls in, so a window wider than 16:9 is untouched. The correction scales the whole offset from the target and not the ground distance alone, and that is the entire fix rather than a refinement. Multiplying only the distance does not step back from a shot, it flattens it: 32 m out and 14 m up became ninety-odd metres out and still fourteen up, a near-horizontal squint at the edge of a floor plate stranded near the horizon. I built that first and it was worse than the bug. Checked on an iPhone 13 viewport and at 1920x1080 and 1440x900. Phone: the whole floor centred at the authored angle with people at the benches, the disclosure on two lines and complete, the button tapped open and the plan sheet up with eight rooms named. Desktop 16:9 is pixel-identical — the correction is exactly 1 there — and the console is clean on all three. |
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karti
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e41c90fe8d |
Real weather, real aircraft, a heightfield off the main thread, and instruments
Three things that were built and never connected, connected.
**The weather was already there.** `observe()` has always taken a
`WeatherObservation` and `main.ts` has always passed null, so the cloud,
precipitation, visibility and marine-layer paths in atmosphere.ts had never run
outside a test. The server already shipped NWS, met.no and Open-Meteo, all
configured off. What was actually missing was that a single TERA_ORIGIN_LAT/LNG
served one metro and lied to the other — so weather and traffic are per-region
now, derived from the city's own bounds, and the Bay Area gets its fog while
Long Beach gets its own sky. The route takes ?city= or a validated ?lat=&lng=
and refuses to become an open geocoding proxy for the planet.
**The heightfield moved to a Worker.** 2.3 s of blocked main thread at boot, and
another ~950 ms of point-in-polygon on top of it: the park mask is filled in the
worker now, and block placement samples four corners and only runs the exact
test on a cell that straddles an edge — 8 buildings differ out of 185,036.
createScene is async and takes a Stage as a consequence, and there is a
main-thread fallback because "clone it and it works" has no exception clause.
**Spaces is a chunk you fetch when you reach for the door**, not one everybody
downloads. Same for the godmode tools. The entry chunk is 722 kB rather than
772; three.js is most of what is left and splitting it is a different job.
**Godmode is an instrument panel now** rather than one slider: the date and the
season, not just the hour, so the Meeus moon and the sun's seasonal arc become
visible instead of merely correct; a weather override that says on screen when
it is lying; a frame-time and draw-call readout; and a pose editor that emits a
paste-ready Chapter block, which is the thing that makes adding New York cheap.
Two blockers the review caught:
- Every city switch leaked 8 GPU textures — one of them a 2048x2048 shadow map
— and ~10.5 shader programs, and deleteTexture had never been called once in
the app's lifetime. The renderer was being built per scene; it belongs to the
canvas, for the life of the page.
- An upstream fetch that threw rather than returning null skipped the cache
stamp, so the TTL — the only rate limit on outbound calls — collapsed to one
upstream request per inbound request, and the caller got a 500.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
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karti
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a6f6a91813 |
A disclosure nobody reads is a watermark
"sample data · fabricated, not real companies" sat in the corner of every load, because no deployment has a markers source wired by default and the sample set is therefore the overwhelmingly common case. A caption that is always on screen stops being read after the first second, which is the opposite of what a disclosure is for. So the corner keeps only the rare half — "live data", which is genuinely worth interrupting someone to say — and the fact that the markers are invented moves to the two places someone actually looks: the boot card everyone passes through, and the `?` card, which is one keypress away from any state the app can be in. It did not go into a README nobody opens. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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karti
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5bc7258753 |
A plan view in the corner, a night you can actually see, and three kinds of visitor
The right half of the screen was empty sky. It holds the board now, drawn flat,
with the footprint of the camera's own frustum on it — the one part of a minimap
that earns its place, because it answers "where am I looking from" without
leaving the shot. Click it, drag it, scroll it. It is a 2D canvas rather than a
second WebGL context, cached per city and redrawn only when something moved.
Night was black. Not dark — black: at 3 a.m. the coastline, the hills and the
bay were one shape, and the frame read as a failed render rather than as
darkness. The sky already had a floor for exactly this reason and nothing did
the equivalent for the ground, so the ground has one now. The moon still has to
be worth computing, so the gap between a moonlit night and a moonless one is
preserved rather than filled in.
Three tiers, resolved once in the new src/access.ts: anonymous, signed in,
admin. Anonymous gets the map and a public office — the shell, the furniture,
the named viewpoints, nobody home — built without the private objects rather
than with them hidden, because scene.traverse makes hiding a leak with a bow on
it. The time scrubber and the debug readouts are admin only, and admin is
granted by TERA_ADMIN_SUBJECTS on the server and inferred nowhere else. An
unreachable API means member, never god: the promise is "clone it and it works",
not "clone it and you are an administrator of a deployment you did not
configure".
Three things this run found and fixed rather than shipped:
- entryUrl came off the wire and went straight into an href with no scheme
check, and a CSP of script-src 'self' 'unsafe-inline' does not stop a
javascript: URL from navigating. One rejection point in access.ts now.
- A 5xx from /health was the same null as "no API at all" and therefore the
opposite conclusion. Eight seconds of tera-api restarting would have told
every anonymous visitor they were a member. A 5xx is an answer; it fails
closed.
- decodeURIComponent in cookieToken was the one path in auth/index.ts that
threw rather than returning ANONYMOUS, so one malformed cookie header from
an unauthenticated caller turned /api/v1/session into a 500.
Also: keyboard shortcuts, focus rings, a boot state instead of a blank 2.3
seconds, a collapsible panel under 900px, and no horizontal overflow at 375,
768, 1440 or 2560.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
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 Karti Tripathi
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44c5a79424 |
SoCal, the whole bay, a moon, and gates that actually run
Six agents in parallel, and the two city packs independently reported the same blocker: `focusRegions` and `coarseFactor` existed on the `City` type and nothing implemented them. Uniform lattices would have been 2.9M points for Southern California and 3.7M for the expanded bay. Both packs were unloadable as written. `buildAxis` is the answer, and it is honest about its limits: refinement is per axis, not per rectangle, so a focus region sharpens its whole row *and* its whole column. Two regions at opposite corners refine nearly everything between them. Measured, not guessed — the bay went 0.53M points with one region and 1.64M with three, for detail nobody is looking at from a board this wide. One region each, coarse factor ten, and the builds land at 3.8 s and 2.3 s. Then three things that were only ever right because San Francisco was the only city. `maxDistance: 340` and a 170-unit shadow box were constants tuned for a 230-unit board; the bay is 1003 units across and the camera physically could not retreat far enough to frame it. Fog distances were scene units pinned to the same assumption. And `minVisibilityM` defaulted to 4.5 km of honest weather, which over ninety-four kilometres of bay correctly hides three quarters of it — the night view was a black rectangle for a completely reasonable reason. All three now derive from the board. The moon is a real ephemeris and its light is a deliberate lie: 1.15, against a physical ratio of one to four hundred thousand. What is being reproduced is what a moonlit night looks like on a screen in a lit room. The CI gate caught itself, which is the part worth keeping. Port 8431 was already held by a server from an earlier session, so the boot check polled a healthy stranger while the process it started died on EADDRINUSE. It now refuses to run rather than pass. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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Karti Tripathi
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d464459838 |
Spaces: the inside of the world, and a sun that is actually where it should be
Ten agents wrote this in parallel against CONTRACT.md, which exists because the five design agents before them collided on fifteen blocking points — four files specified twice with incompatible contents, three separate backends for one box, and `Environment` exported twice meaning different things. What landed: a Stage owning only the renderer and the loop, with the city and an office as two scenes over it. They cannot share one — San Francisco is ~94 m per scene unit with 3.6x vertical exaggeration and an office is 1 unit = 1 m — and the city is paused rather than disposed on the way in, because rebuilding its 336,864-point heightfield costs about a second on the way back out. Offices are data. `src/offices/lumbridge-hq.ts` is fifteen rooms and seventy-six seats, and it is the file a self-hoster copies. Walls are a segment list with 1-D openings, so doors and windows are holes punched in a wall rather than placed objects, and the pass that splits a wall around its openings hands the walk-mode collider its segments for free. The sun is real. `solar.ts` is a NOAA/Meeus implementation with no imports at all — not even three.js — so time of day keeps working on a laptop in a field. Verified against known values: 75.45 degrees at the June solstice in SF, 28.79 at December, sunset at 03:15Z. The first screenshot after wiring it was a black rectangle, which turned out to be correct: it was midnight in San Francisco. Presence binds to a seat id and never to a coordinate. The pack knows where `eng-04` is; who is sitting in it is private data behind an API. Same shape as the marker rule, one level in. Two corrections to ARCHITECTURE.md are in here. Containment does not discharge ODbL — publishing OSM-derived coordinates is Public Use of a Derivative Database wherever the rows live, so the rule is about the geocoder (US Census, public domain) and not the storage. And a person at a desk is not a Marker; markers are geographic. One contract gap surfaced only in a screenshot: two agents read `height` on a viewpoint differently, so the establishing shot aimed at empty air fourteen metres above the roof. It now means what the same field means for a city. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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Karti Tripathi
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36471bbad7 |
Tera, because Simulate was already spoken for
Two names in this repo were quietly colliding with things that already ship. `lumbridge-simulate` is a Rust crate in the private monorepo — the Governor's memory-admission simulator, with a public product page — and in its vocabulary a "Scene" is a set of models, not a three.js scene. Naming a 3D engine the same thing would have put two different meanings on both words at once. Meanwhile world1.lumbridgecorp.com has been serving <title>Tera — Lumbridge</title> since before any of this: the world already had a name. So the map view is Tera, the interiors product is Spaces, an Office is one building's interior and a Space is a room inside it. ARCHITECTURE.md opens with that table now, because the next few thousand lines all depend on it. The Phaser 2D world comes down rather than being migrated. Its tileset is precisely what stopped it being open-sourceable, and there are no real users to strand. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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Karti Tripathi
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67f8df8d53 |
Lumbridge Simulate Engine — the city, and the licence it can actually ship under
LSE is the third of the three, beside lumbridge-compute and lumbridge-bench: a 3D engine for walkable places. This first commit is the outside of the world — San Francisco — plus the seams the inside will attach to. The engine renders a City and a list of Markers and knows nothing else. It does not know markers are usually companies and it will never learn that "rejected" is red; that mapping lives in an adapter. Which is what lets one renderer serve a private map, a public one, and a self-hoster with no Lumbridge account, none of them a fork of the others. Three things were designed around the licence rather than discovered after it, because each one is a promise Apache 2.0 makes that is easy to break by accident. No trademarks in the repo — logos are fetched at runtime, and public/logos/ is gitignored. No OpenStreetMap-derived coordinates, which is why every coastline in cities/sf.ts was traced by hand: Nominatim output is ODbL, share-alike, and would attach to the whole pack. And no FlightRadar24 client — their terms forbid scraping and redistribution, so flights are an interface with a simulator and open community ADS-B behind it. The privacy constraint and the licence constraint turned out to want the same thing. Geocoded company positions and pipeline status both stay behind Workie's API; the open repo holds the city and the renderer. The tempting shortcut — commit an sf-companies.json — breaks both at once. Ported out of Workie, where a 3D city engine had no business living. Workie's /live is deleted rather than deprecated. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |